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    <id>tag:blog.jibtv.com,2009-04-10:/j-bloggers//4</id>
    <updated>2010-09-01T02:53:53Z</updated>
    
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<entry>
    <title>Escape in Setouchi islands 3/4 : Naoshima</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/09/escape-in-setouchi-islands-34-naoshima.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.274</id>

    <published>2010-09-01T01:24:35Z</published>
    <updated>2010-09-01T02:53:53Z</updated>

    <summary><![CDATA[By Martin Faynot&nbsp;&nbsp;&nbsp;&nbsp;...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Martin" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="island" label="Island" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="naoshima" label="naoshima" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="setouchi" label="setouchi" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="travel" label="travel" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[By Martin Faynot<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi_03-647.html" onclick="window.open('http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi_03-647.html','popup','width=900,height=634,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi_03-thumb-500x352-647.jpg" alt="Setouchi_03.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" width="500" height="352" /></a></span><br /><br />&nbsp;&nbsp;&nbsp;&nbsp; <i>Naoshima may be the most well known island of the Setouchi 
archipelago, because beside the actual Setouchi Art Festival (running 
until October 31st), there are three permanent museums : the Benesse House
 Museum (which is also a luxurious hotel), the incredible Chichu Art 
Museum &amp; the Lee Ufan Museum.&nbsp; Both were designed by the famous architect 
Ando Tadao. Other art spots on Naoshima feature some other houses from 
"the House Project", including two major art pieces by Shinro Ohtake. A
 "must see" is his public bath "I love Yu&nbsp; (湯)", where you can actually 
bath like a regular "sento" but surrounded by an incredible decoration 
and atmosphere.</i><div><i>&nbsp;&nbsp;&nbsp;&nbsp; I made my sketch around the area called
 "Honmura". I like this kind of little streets with a tiny canal aside it.
 It was incredibly hot at this time (37-38 C) but I could relax 
anyway!&nbsp;</i></div><div><i><a href="http://setouchi-artfest.jp/en/artworks/island/island-naoshima/" target="_blank">http://setouchi-artfest.jp/en/artworks/island/island-naoshima/</a></i></div><br /> <div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>I&apos;d like a W KRUNKY, Please!</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/08/id-like-a-w-krunky-please.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.272</id>

    <published>2010-08-27T01:57:30Z</published>
    <updated>2010-08-27T02:56:47Z</updated>

    <summary><![CDATA[By Emily Connor&nbsp;&nbsp;&nbsp;&nbsp; ...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Emily" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="engrish" label="Engrish" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="food" label="Food" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="language" label="Language" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[By Emily Connor<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; I couldn't help myself from laughing out loud and seeming more insane than I usually do the other day when I saw a convenience store advertising ''KRUNKY CHICKEN'' for 50 yen a piece. The word KRUNKY is one of those words that just happens to pop up every so often in Japan, and it took me almost four years to finally figure out that it's supposed to mean 'crunchy'. KRUNKY shows up occasionally on poorly translated restaurant menus and also on chocolate snacks (although they spell it Crunky on the chocolates) and I must say, I am a very big fan of the KRUNKY. In fact, if I were not appalled by fried chicken you can bet I'd be in line to pick up some value KRUNKY chicken at the convenience store. Sounds like a great time to me.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Another thing that gets me every time is the constant misuse of the letter W to stand for 'double'. I guess W first began being misused when some Japanese advertising company read the letter out loud-- DABURUYUU. 'Oh, how cute! 'They must have thought. 'It sounds like the word double! Which means two! Let's just stick it on anything that has to do with two!' And that's how the W burger, as well as the W many-other-things was born. For some reason the misuse of the letter W makes me a bit sad. I understand that maybe the word 'double' is a bit tedious to spell, but seriously-- W? At first I thought they were using it to stand for the Japanese abbreviation for LOL, which would have made even less sense-- but for some reason it just stands for double. And sometimes they even use WW for a double double burger, whatever that means. Am I being too strict? Probably. But if I don't throw it out there, no one will, and I cannot allow the letter W to be misused for much longer. It's a travesty.&nbsp; <br /><br />&nbsp;&nbsp;&nbsp;&nbsp; I've been in Japan for too long now, and I sometimes feel my brain melting in such a way where I can no longer differentiate between what's actually funny and what's not. Japanese humor is bizarre; they don't understand sarcasm (which is unfortunate, because my favorite thing in the entire world besides dried figs and EMO cinema is most-definitely sarcasm) and they don't appreciate belittling others for the sake of amusement. The other day I saw a construction truck go by with the letters KKK painted on the side (probably stood for Konnichiwa Krunky Koujyou or something) and although it was terribly horrifying it was equally as hilarious. But because this is Japan and an absurd and wonderful place in a much different way than the USA, even if I were to point out the KKK cement truck to a Japanese person I'm sure no one would have laughed. So I held in my crude comments to myself and just snapped a picture for the scrapbook I'm sure I'll compile in 20 years when I'm old and weathered and have 20 cats in my Manhattan apartment. <br /><br />&nbsp;&nbsp;&nbsp;&nbsp; There are so many more things that I could rant about, but if I did all of the ranting today then I would have even less material for blogging than I already do. Keep in mind as you read all of my complaining that I do love Japan-- dearly, in fact-- so consider that my disclaimer and please don't flood the email boxes which I make sure never to check with your catty little comments like ''If all you do is complain, then you don't even deserve to live to Japan!''. Save yourself a bit of energy typing and just laugh at the absurdities and wonders of the land of the rising-and-ridiculously-hot-thanks-to-global-warming sun. Adieu. <br /><br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>Escape in Setouchi Islands 2/4 : Inujima</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/08/escape-in-setouchi-islands-24-inujima.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.270</id>

    <published>2010-08-25T01:02:51Z</published>
    <updated>2010-08-25T09:39:44Z</updated>

    <summary><![CDATA[By Martin Faynot&nbsp;&nbsp;&nbsp;&nbsp;...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Martin" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="inujima" label="inujima" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="islands" label="islands" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="seirensho" label="seirensho" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="setouichi" label="setouichi" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="travel" label="travel" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[By Martin Faynot<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi_02-634.html" onclick="window.open('http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi_02-634.html','popup','width=900,height=634,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi_02-thumb-500x352-634.jpg" alt="Setouchi_02.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="352" width="500" /></a></span><i>&nbsp;&nbsp;&nbsp;&nbsp; The second island I visited was Inujima, the smallest one, 
with only 60 inhabitants! There used to be plenty more when the copper 
refinery was running. Beside the ruins of the factory, an incredible 
underground installation called Seirensho can be visited (unlike the art
 festival, Seirensho is permanent). On this sketch of a little port, you
 can see the red roof of one of the numerous houses of the "House 
Project" (also in the other islands). Those old houses have been 
redesigned into artistic installations by some famous artists from 
around the world.</i><div><i>To know more about the various islands :&nbsp;<a href="http://setouchi-artfest.jp/en/about/islands/" target="_blank">http://setouchi-artfest.jp/en/about/islands/</a></i></div><br /> <div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Alternate Garbage Cans in Japan</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/08/the-lack-of-and-abundance-of-garbage-cans-in-japan.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.267</id>

    <published>2010-08-17T01:08:36Z</published>
    <updated>2010-08-23T01:22:30Z</updated>

    <summary><![CDATA[by Claytonian &nbsp;&nbsp;&nbsp;&nbsp; W...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Claytonian" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="environment" label="environment" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="garbage" label="garbage" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="pollution" label="pollution" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="recycling" label="recycling" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="trash" label="trash" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[by Claytonian<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Bike Garbage Can" src="http://blog.jibtv.com/j-bloggers/IMG_3597_406x541.shkl.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" width="406" height="541" /></span> <div>&nbsp;&nbsp;&nbsp;&nbsp; Woe betide any who are foolish enough to have garbage upon their person in Japan. For it shall stay upon their person forever and ever. Not a garbage can, a dust bin, or a refuse pot will be found in the fair streets of her sparkling cities. And thus it shall ever be, amen.<br />The lack of garbage cans is one of the most vexing things an American can face in this country. It doesn't make sense. I have garbage, and am far from my domicile, but the garbage cannot be put anywhere! Who is responsible for this outrage? <br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Perhaps it is the dangerous times we live in. This red-alert world has made people concerned enough to hide garbage cans lest they be used as bomb receptacles. Well, that's one theory I've heard about the scarcity of garbage cans anyways. Oddly, Japan has never experienced attacks that had anything to do with garbage cans as far as I know. But still, can't be too careful.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Or maybe it's because all garbage has to be separated in Japan. I think they still burn it all (don't quote me on that), but they need to burn different materials at different temperatures. Anyways, if there is a garbage receptacle, that means someone is going to get the onerous job of separating what has gone into it. So most places aren't inclined to let you give them your waste.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Many people use the country's numerous conbini's cans to pass off their garbage. The conbini's are starting to retaliate though; often they keep their cans inside the store and post big signs about their sadness in refusing "house garbage".<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; This desperation leads to littering all to often. Often a person sits down at a train station bench and gets up "forgetting" their garbage. And if there is a fence somewhere in Japan, you can be sure people have plopped their garbage over it. The worst is when people use other people's bike baskets to throw away their refuse, as in the picture above. Somehow, people's instincts seem to be telling them it is okay to pollute in a bike, a nook, or under a bench. Anywhere but the street. <br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Americans I have no excuse for. We pollute everywhere in America. I know this fact intimately, as I was a boy scout all the way through my teens and did many a roadside cleanup. So my fellow Americans, I say this to you: value your garbage cans and use them instead of the ground. For if you don't, they may one day be gone, and then you will have to carry your garbage everywhere with you until you find a bike with a basket. That's how the logic of these things works.&nbsp; <br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>Fire Safety</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/08/fire-safety.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.269</id>

    <published>2010-08-13T09:30:08Z</published>
    <updated>2010-08-13T09:52:51Z</updated>

    <summary><![CDATA[by Anna Kunnecke&nbsp;&nbsp;&nbsp;&nbsp;...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Anna" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="burn" label="burn" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="children" label="children" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="firedepartment" label="fire department" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="firesafety" label="fire safety" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="matches" label="matches" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tokyo" label="tokyo" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[by Anna Kunnecke<br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Understandably, Tokyo residents are worried about fire.&nbsp; Train stations have big billboards proclaiming its danger; kids are taught early to turn off the stove at the valve at the first tremor of an earthquake; our earnest building staff test the piercing fire alarms more often than I am convinced is strictly necessary.&nbsp;&nbsp; When we went out for yakiniku, I remembered why. <br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; It had been a long week.&nbsp; Two tired parents and one cranky girl--none of us were up for cooking.&nbsp; We settled in at our table and they brought over the great tub o' fire.&nbsp; This is literally a big iron bowl full of coals that fits neatly into the round hole in the center of the table.&nbsp; Yakiniku with a grabby little kid is a special way for anxious parents to torture themselves, but even with lots of warnings and dire consequences foretold if she got too close to the glowing coals, it turned out that the fiery cairn itself was enough to inspire total respect in our little hoodlum.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; The plates of raw meat came fast and we did our dance with tongs and long chopsticks, draping, turning, dipping, and burning our mouths.&nbsp; As the bits of meat got hot and sizzled, drops of fat would drip onto the coals, causing a little storm of sparks to erupt.&nbsp; My daughter was mesmerized.&nbsp; "Ooooh!&nbsp; Sparks!" she would exclaim, each and every time.&nbsp; It suddenly struck me that here we were, the archetypal family, huddled around fire, poking meat with sticks.&nbsp; Sanitized, commercialized, and safety-fied as it may be, it seems to me that the yakiniku table is basically a modernized urban version of the campfire. <br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Minus the songs.&nbsp; And the marshmallows.&nbsp; And the mosquitoes. &nbsp;<br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Not that I'm complaining.&nbsp; This is just about as much fire as I can handle in my life.&nbsp; And I liked that for my daughter it connected the word 'fire' to something more tangible than the candles we light.&nbsp; All of our scary stories about candles and fire and terribleburningthings aren't nearly as effective as one evening spent around an intensely hot bowl of actual smoking burning stuff.&nbsp; I'm happy for her to have a controlled version of fire to get some of that extremely useful and irreplaceable ouch-they-weren't-kidding-when-they-said-don't-touch biofeedback.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Since so few four-year-olds are allowed to play with matches out on the street anymore (these crazy over-protective modern parents), there isn't much reality to those big red trucks their kindergarten teachers take them to see.&nbsp; And so intense curiosity sometimes gets channeled into experiments like trying to light candles in your mother's closet or setting off firecrackers in the yard, leading to charred clothes and the wrath of the entire neighborhood.&nbsp; (Really.&nbsp; Both those things happened to a friend of mine within the course of a year.&nbsp; It was quite a year.) <br /><br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; So I have a suggestion.&nbsp; Instead of those Hi-No-Yojin marches the neighborhood associations are always trying to guilt-trip people into joining, which involve marching and banging gongs and bells and chanting "let's be careful of fire," I think they should just take the whole ward out for yakiniku.&nbsp; Let everybody grill up some tasty morsels, down a few icy jokki of beer, and at a crucial moment, stop, point at the coals and say, "People.&nbsp; Just remember: it's very, very hot."&nbsp; I think that should do the trick. <br /><br />]]>
        
    </content>
</entry>

<entry>
    <title>Escape to Setouchi islands 1/4 : Shodoshima</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/08/escape-to-setouchi-islands-14-shodoshima.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.268</id>

    <published>2010-08-12T06:24:08Z</published>
    <updated>2010-08-12T06:31:11Z</updated>

    <summary><![CDATA[by Martin Faynot&nbsp;&nbsp;&nbsp;&nbsp;...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Martin" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="beautiful" label="beautiful" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="islands" label="islands" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="japan" label="japan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="setouchi" label="setouchi" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="shodoshima" label="shodoshima" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="summer" label="summer" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="vacation" label="vacation" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[by Martin Faynot<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi01-631.html" onclick="window.open('http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi01-631.html','popup','width=900,height=684,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.jibtv.com/j-bloggers/assets_c/2010/08/Setouchi01-thumb-500x380-631.jpg" alt="Setouchi01.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" width="500" height="380" /></a></span><br /><br /><i>&nbsp;&nbsp;&nbsp;&nbsp; I managed to escape from Tokyo's summer heat... to find another 
heat, but more artistic, in the islands of Setouchi, just between 
Shikoku &amp; Honshu. It's been a while since I wanted to visit 
Naoshima, Inujima, Ogijima &amp; the other islands of the archipelago, 
but even more since I heard about the art festival held in all of the 
islands from July 19th to October 31st 2010. More about the festival 
here :&nbsp;<a href="http://setouchi-artfest.jp/en/" target="_blank">http://setouchi-artfest.jp/en/</a></i><div><i>&nbsp;&nbsp;&nbsp;&nbsp; The
 first island I went to was Shodoshima, the largest one. There's a 
few very impressive artistic installations in the middle of the 
countryside, such as a house / palace made only of bamboo. This sketch 
doesn't show any of them but I really like this view from a little 
shrine (with delicious fresh water)&nbsp;above the "stairs paddy fields", 
typical in Shodoshima.</i></div> <div><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>The Language Phone-tic!</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/08/the-language-phone-tic.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.265</id>

    <published>2010-08-06T06:11:07Z</published>
    <updated>2010-08-10T13:13:02Z</updated>

    <summary><![CDATA[by Emily Connor&nbsp;&nbsp;&nbsp;&nbsp; ...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Emily" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="tokyo" label="Tokyo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cellphones" label="cell phones" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="complex" label="complex" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="japan" label="japan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="mobile" label="mobile" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="options" label="options" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[by Emily Connor<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; After two years of using my washed up CASIO cellphone, last month I was finally able to get my hands on a new top of the line cellphone, only to realize one thing:<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Japanese cellphones nowadays are much too complex.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; They can literally do anything. And by being able to do anything, they're a bit overwhelming at times. I really don't need so many features in my phone. The 13 megapixel camera is great. The display is beautiful. But in a lot of ways my phone is so high-tech that it just becomes annoying to use. For example, the touch screen. I completely understand the touchscreen option for phones that are touchscreen based, but since my cellphone is based around the keypad it's just a nuisance to have the touchscreen option. The other day when I was trying to answer a call I accidentally activated the touchscreen which made it so I couldn't answer the call. How does that even make any sense? <br /><br />&nbsp;&nbsp;&nbsp;&nbsp; My phone also comes with a built-in English/Japanese dictionary, a pedometer which calculates how many calories you burn in a day, a television and GPS, an MP3 player, and a bunch of other things that I haven't figured out yet. Most of these features drain the battery at a pretty rapid speed, so unless I've got a charger in hand I'd be nearly a fool to use them. I don't know, I feel like it's overkill for a phone to even have all of these options in it. If it were an iPhone, sure.... But it's not, so it shouldn't pretend to be!<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Because Japanese cellphones are so complex in general, every cellphone carrier always offers a few ''Senior-friendly'' phones available in the shop. These cellphones are pretty much exactly like normal American cellphones that everyone uses, except for the keypad is almost laughably large. Other than that, though, they just offer easy to understand menus and usually a pretty terrible cellphone. Apparently people who aren't clever enough to use normal phones over here don't deserve to have a kick-ass camera. Simplicity is (at times!) best, my friends.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; I can't blame the Japanese for having these insanely cram-packed cellphones, though. The cellphone market over here is insane, and if a phone offers the newest and greatest feature (I think the one at the moment is a HD 3D video camera) then people will flock to it and buy it up. People here don't just have one phone, many business people carry two and often upgrade. So don't fix what's not broken, I suppose--- maybe Japanese people are just born with the knowledge on how to use their complicated cellphones which is why I can't wrap my mind around them. Anyway, I've got to go-- my phone's ringing. If only I could figure out how to answer the thing... &nbsp; ]]>
        
    </content>
</entry>

<entry>
    <title>I&apos;m Here, Aren&apos;t I?</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/08/im-here-arent-i.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.264</id>

    <published>2010-08-05T09:23:26Z</published>
    <updated>2010-08-05T18:50:06Z</updated>

    <summary><![CDATA[by Kevin Cooney&nbsp;&nbsp;&nbsp;&nbsp; ...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Kevin" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="japan" label="japan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="life" label="life" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="personal" label="personal" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tokyo" label="tokyo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="visa" label="visa" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[by Kevin Cooney<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; Perhaps the most universally hated question on the "Nice to Meet you I'm a gaijin FAQ" is the personal and perennial "Why are you here?"<br />&nbsp; &nbsp;&nbsp; There are a variety of reasons why we squirm under the spotlight this throws on our transient lives.&nbsp; That it's a personal matter, the question is too complex, or (as our mom suspects) that there is no answer.&nbsp; After all, my closest family connection to Japan is a game boy and my Tsutaya video shop membership. Possibly my legal visa status is something, so there surely must be some greater purpose to my continued existence here. Or why am I here?<br />&nbsp; &nbsp; &nbsp; We all have our reasons.&nbsp; I've had so many it's hard to remember, and all of them sound strangely like alibis. Why does the question make us offer excuses for just being.<br />&nbsp;&nbsp; &nbsp;&nbsp; For those who came for love of something material, the expat Otaku Akihabara denizens, the admission that you moved here for a cartoon seems so ignobly narrow.&nbsp; Emigration for fandom, is like living in Sweden because you like Abba.<br />&nbsp; &nbsp; &nbsp; For those who followed their sweethearts (or perhaps other organs) the answer also seems sadly insufficient.&nbsp; No one likes appearing as if they have so little say about their life.&nbsp; It's like the "They made me come here!" explanation given by those married to their companies.&nbsp; Both types often throw in an obligatory and vague "But I'm really excited about the culture."<br />&nbsp;&nbsp; &nbsp; Then there are those indentured servants who make their way here as teachers and travelers, always one step away from being homeless, or to put it more nicely "a backpacker."&nbsp; The "I just came here to travel" is fine, and good for those young travelers, but as you renew that third visa the explanation wears thin.&nbsp; After all, travelers, by definition are on their way somewhere else.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I want to experience new cultures..." sounds like you're running from something.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I want to explore new worlds..." sounds deviant.<br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; "I want to grow as a person..." sounds like you were a failure back home.<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; No reason for being here ever sounds right.&nbsp; So, why do we even offer any justification?&nbsp; We are here, isn't that enough?&nbsp; Until I moved here I never had to explain my mere existence so regularly.&nbsp; The "why are you here gaijin" question often feels like living in your parents basement, with everyone wondering when you are going to grow up already and move out to a normal life.<br />&nbsp; &nbsp;&nbsp; Well, this is my normal life.&nbsp; Never did I sit on my sofa watching TV, with my Doritos and beer and suffer the angst filled question... "Why am I here?"&nbsp; The answer was obvious: because this is my sofa and I like Doritos and beer.&nbsp; Granted, now I sit on a cushion on the floor, my Doritos taste of sea life and the beer is much more expensive, but damn it, I am just being here, because this is my cushion.&nbsp; This is my piece of floor.&nbsp; Move along, there is nothing to see.<br />&nbsp;&nbsp; &nbsp;Why am I here?<br />&nbsp;&nbsp; &nbsp;Why am I here?<br />&nbsp;&nbsp; &nbsp;Well, I have a visa, therefore I am.<br /><br /><br /> ]]>
        
    </content>
</entry>

<entry>
    <title>&quot;Shirokuro&quot; sketches series #12</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/07/shirokuro-sketches-series-n-12.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.262</id>

    <published>2010-07-29T04:39:06Z</published>
    <updated>2010-07-29T06:19:55Z</updated>

    <summary><![CDATA[by Martin Faynot&nbsp;&nbsp;&nbsp;&nbsp;...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Martin" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="drawing" label="drawing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="hakuraku" label="hakuraku" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="kanagawa" label="kanagawa" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="riceshop" label="rice shop" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="shitamachi" label="shitamachi" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[by Martin Faynot<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://blog.jibtv.com/j-bloggers/assets_c/2010/07/jibtv_hakuraku2-621.html" onclick="window.open('http://blog.jibtv.com/j-bloggers/assets_c/2010/07/jibtv_hakuraku2-621.html','popup','width=900,height=673,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.jibtv.com/j-bloggers/assets_c/2010/07/jibtv_hakuraku2-thumb-500x373-621.jpg" alt="jibtv_hakuraku2.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" height="373" width="500" /></a></span><br /><div><i>&nbsp;&nbsp;&nbsp;&nbsp; I found this </i><i>old rice shop around Hakuraku Station. A lot of old ladies stopped to
 watch us (me and a fellow illustrator) drawing.&nbsp; The very kind rice shop
 owner came and picked up a big cat that was sleeping on the ground to 
put him in front of us to take a picture, but the cat walked outside of 
the frame twice!&nbsp; He took the photo anyway, printed it out and gave it to 
us. A nice moment!</i><br /></div>]]>
        
    </content>
</entry>

<entry>
    <title>An Open Letter To Japanese Makeup Artists</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/07/an-open-letter-to-japanese-makeup-artists.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.259</id>

    <published>2010-07-21T06:24:25Z</published>
    <updated>2010-07-21T07:34:04Z</updated>

    <summary>            0   false         18 pt   18...</summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Anna" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="artists" label="artists" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="cosmetics" label="cosmetics" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="japan" label="japan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="makeup" label="make up" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="skincolor" label="skin color" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tone" label="tone" scheme="http://www.sixapart.com/ns/types#tag" />
    
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<!--StartFragment-->by Anna Kunnecke <br /><br />Dear Makeup Artists,<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; First, let me say that I know you are pros.&nbsp; You know this business inside and out; you create beauty for fashion shows, photo shoots, TV shows, and more.&nbsp; However there are a few details that I think might be useful for you to know when it comes to putting makeup on foreigners, we the pale-paced, we the big-nosed, we the gaijin.&nbsp; <br />&nbsp;&nbsp;&nbsp;&nbsp; First of all, the eyes.&nbsp; It might be a delicate topic, but there are some basic physical differences here that we need to talk about.&nbsp; Let us be brave and not flinch from facts.&nbsp; The eyelids, they are different.&nbsp; If you put bright blue eye-shadow along the lid of a Caucasian model, instead of sliding demurely out of sight the way it would on a proper Asian girl, it will instead remain in full view, blinding in its blueness.&nbsp; This will not in fact enhance any eyes that are already blue; it will, instead, make them look dull, as well as casting a jaundiced pall over the entire face.&nbsp; Moving on, the eyelid crease.&nbsp; Against all instinct, I must beg you to darken the crease rather than using white frosted stuff on it.&nbsp; The darker color&nbsp; will create those lovely emaciated skull-hollows that the fashion magazines are so fond of.&nbsp; In the same vein, if you put all the dark color down by the lashes, and then delicately blend up in one lovely seamless gradation all the way to the eyebrow, with the lightest colors on top, the upper lid will visually recede and the area under the brow will jump forward, giving your model puffy hangover eyes that appear to be swollen and uncomfortable.&nbsp; Finally, eyeliner.&nbsp; I am at a loss as to why you try to put it on the inner eyelid.&nbsp; This is a look that was often seen in sixth-grade bathrooms in the eighties.&nbsp; It really should not be seen anywhere else. <br />&nbsp;&nbsp;&nbsp;&nbsp; Second, let's move on to the contours of the face.&nbsp; You see, we have lots of them.&nbsp; More, I respectfully submit, than our Asian counterparts.&nbsp; In fact, when we speak, smile, and blink our eyes, these parts of our face move.&nbsp; This causes creases.&nbsp; I am in utter awe that this does not happen with Japanese actresses, but judging from the thick mask of foundation that seems to be the norm, I can only guess that their faces move not a whit.&nbsp; Also, when you pop in during takes and layer powder over those creases that happen next to eyes, between the nose and cheeks, and forehead, that will not, I am sorry to say, make them go away.&nbsp; No, in fact, it will simply increase the great hulking shadows that they cast. Might I suggest that you put that powder, instead, on the nose, cheeks, and forehead.&nbsp; <br />&nbsp;&nbsp;&nbsp;&nbsp; That brings me to our third topic, the concept of tomeikan, which I will loosely translate as transparency.&nbsp; It appears to be the ultimate virtue in Japanese makeup, but like many mysteries of Japanese culture, it is confusingly and selectively applied.&nbsp; This is why a model can find herself with inches of thick caked makeup around her eyes, where it will wrinkle and form crevices rivaling a desert canyon, while the bright red unfortunate blemish on her cheek is left completely uncovered to blink its bright red holiday message to the world.&nbsp; It is perhaps one of our greatest cultural differences that foreigners do not, in general, find this to be attractive.&nbsp; I know, it's very shocking. <br />&nbsp;&nbsp;&nbsp;&nbsp; Finally, let us move on to those famed noses.&nbsp; Shiny white pearlescent highlights are generally not appropriate here.&nbsp; Nor, I might add, are they useful on the chin.&nbsp; Generally these features are big enough already, and adding a layer of shine is pretty much exactly the opposite approach that is required.&nbsp; <br />&nbsp;&nbsp;&nbsp;&nbsp; In conclusion, it is also worth mentioning that Hana ga takai!&nbsp; (Your nose is so tall!) and Kao ga chiisai! (your face is so small!) are generally not considered compliments.&nbsp; I know that all of this is quite counterintuitive and goes quite against conventional industry wisdom, but I hope that you will take it in the spirit in which it is offered, which is one of mutual cooperation and edification.&nbsp; Oh, and if your model should have curly hair...well, that's a book unto itself. <br /><br />Respectfully yours, <br /><br />Anna<br /><br /><!--EndFragment-->
 ]]>
        
    </content>
</entry>

<entry>
    <title>Our Foreign Guest Has Worn Out His Welcome</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/07/our-foreign-guest-has-worn-out-his-welcome.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.258</id>

    <published>2010-07-16T07:10:58Z</published>
    <updated>2010-07-16T12:55:18Z</updated>

    <summary>By ClaytonianOh, to be a foreigner in ba...</summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Claytonian" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="failure" label="failure" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="foreigners" label="foreigners" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="shakoujirei" label="shakoujirei" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[By Claytonian<br /><br />Oh, to be a foreigner in backwoods Japan! You can't know unless you've done it, but I recommend you relocate posthaste! When you arrive, prepare to be treated as a king. Only if you look foreign, of course.<br /><br />I spent a few years in such an environment. People were constantly turning to see my foreign presence enter a room and letting their eyes widen to proportions usually reserved for those magazines in the back corner of the combinis. "Where are you from?" They would say while putting an arm around me and guiding me to a seat adjacent to them. Then they would wine me, dine me, and tell me to marry their daughters (no exaggeration). It didn't matter that it was all shakoujirei (social pleasantries), cause it made me feel special, damn it.<br /><br />Fast forward to life in the big city (I'm living in Yokohama now), and things are a bit different. In this town, most people don't bother with the double take that their country brothers throw around like so much whip-lash fodder. No, I am anonymous and unnoticed for the most part. Sure, when I engage people on a personal basis, I still encounter the <a href="http://blog.jibtv.com/j-bloggers/2010/03/the-foreigner-reality-distortion-field.html">Foreigner Reality Distortion Field</a>, but for the most part I am left to my own devices, which is great for an eternal tourist such as myself.<br /><br />The other night though, I heard some loud sax. I love me some good sax, so I walked down the street until I found it. Turns out a guy was grilling in the entrance to a bar, and in between flipping shish kebabs, he traded notes with a guy on an old Hammond organ beside him. It was really swinging. When the sax/grill-man saw me, he beckoned me inside, telling me I needn't worry about the cover in a way that felt like those old friendly greetings that I used to get in the countryside bars.<br /><br />Once inside, that familiar foreign royalty feeling came rushing back as everyone cheered at seeing me and told me to chow down. I ordered a kebab and drank in the atmosphere. A man offered his wife's female friend for dating purposes. Then a guy and his kid moved tables to sit with me. They asked what I was drinking, but I insisted that I wasn't interested in alcohol. Then they pointed to the soft drinks menu and said it was okay. Now, you have to understand, strangers in bars don't ever do this unless they plan on paying for the drink. That's my experience. So I relented, thinking it would be fare compensation for the awkward little English lessons he was forcing between his 11 year old and me--who wants to talk to kids when there is live and energetic jazz in a bar?!-- and ordered an orange juice. Stiff price it was too, but if he really wanted to pay...<br /><br />I drained the glass and ate my kebab. He ordered me another one. Just kinda decided on his own, <i>hey,</i> <i>you want this</i>, and I had another one placed before me. Well, if that's what he wanted to give me, who was I to argue? I finally asked for the bill, confident that the man would follow the pattern I was so used to and pay for my drinks. I even half expected him to cover my kebab as well.<br /><br />Well, you have probably already guessed that I ended up paying full price for those icy orange juices. You may also think that I am a little spoiled. I do. It was a good reminder that I can't always be a taker, living off of the goodness of Japanese strangers. In fact, maybe it's about time I bought a Japanese person some food for a change. I'll even insist that he date my daughter. <br /> ]]>
        
    </content>
</entry>

<entry>
    <title>A Classic!</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/07/a-classic.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.254</id>

    <published>2010-07-13T05:47:08Z</published>
    <updated>2010-07-14T04:23:37Z</updated>

    <summary><![CDATA[By Martin Faynot&nbsp;&nbsp;&nbsp;&nbsp;...]]></summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
        <category term="Martin" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="densha" label="densha" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="japan" label="japan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="japanrail" label="japan rail" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="metro" label="metro" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="sleeping" label="sleeping" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="subway" label="subway" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tokyo" label="tokyo" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="train" label="train" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://blog.jibtv.com/j-bloggers/">
        <![CDATA[By Martin Faynot<br /><br /><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><a href="http://blog.jibtv.com/j-bloggers/assets_c/2010/07/jibtv_densha-594.html" onclick="window.open('http://blog.jibtv.com/j-bloggers/assets_c/2010/07/jibtv_densha-594.html','popup','width=900,height=544,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://blog.jibtv.com/j-bloggers/assets_c/2010/07/jibtv_densha-thumb-500x302-594.jpg" alt="jibtv_densha.jpg" class="mt-image-center" style="text-align: center; display: block; margin: 0pt auto 20px;" width="500" height="302" /></a></span>&nbsp;&nbsp;&nbsp;&nbsp; <i>What's more classic as a cliché of Japan than sleeping people in
 the train ? Classic but essential, that's why I wanted to share it!</i><div><i>&nbsp;&nbsp;&nbsp;&nbsp; I</i><i> noticed that I tend to become Japanese : I fall asleep very easily in 
the train and I wake up just before my station...&nbsp;</i><i>most of the 
time</i><i>!</i></div>]]>
        
    </content>
</entry>

<entry>
    <title>Tokyo Can Fray Your Nerves </title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/07/tokyo-can-fray-your-nerves.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.253</id>

    <published>2010-07-12T08:20:01Z</published>
    <updated>2010-07-12T09:01:43Z</updated>

    <summary><![CDATA[by Anna Kunnecke&nbsp;&nbsp;&nbsp;&nbsp;...]]></summary>
    <author>
        <name>editer-3views</name>
        
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        <![CDATA[by Anna Kunnecke<br /><br />&nbsp;&nbsp;&nbsp;&nbsp; I have been reading this great book on childrearing.&nbsp; It's called Raising Your Spirited Child and it's written by a woman named Mary Sheedy Kurcinka, whose feet I would like to kiss.&nbsp; My mother handed it to me a while back.&nbsp; There was no offering, no suggesting, no 'perhaps you'd like to take a look at this.'&nbsp; No.&nbsp; My mother, grandmother of my daughter, handed this book to me with the words, "You're going to need this." &nbsp;<br />'How did she know that?' you might ask.&nbsp; Well. &nbsp;<br />&nbsp;&nbsp;&nbsp;&nbsp; Grandmothers just know things. <br />&nbsp;&nbsp;&nbsp;&nbsp; This was the book, apparently, that helped me reach adulthood because it helped my parents not kill me.&nbsp; The definition of a 'spirited' child is that they are a little bit more--more intense, more sensitive, more perceptive, more persistent.&nbsp; What?&nbsp; Who, me? <br />Yeah, yeah, and my daughter too. <br />&nbsp;&nbsp;&nbsp;&nbsp; So I've been learning lots of very useful things about how my daughter's nervous system works.&nbsp; Some kids really do seem to be wired a little bit differently.&nbsp; Some kids really can feel the seam in their socks.&nbsp; Some kids really do seem to soak up the emotions of those around them.&nbsp; But the big surprise has been the ah-ha moments I've had about myself.&nbsp; Specifically, how noisy, crowded places can trigger these ever-so-slightly-sensitive folks with a totally overwhelming flood of information and sensation. &nbsp;<br />&nbsp;&nbsp;&nbsp;&nbsp; I always assumed that everybody felt crazy and overwhelmed and frantic too, but they just handled it better than I did.&nbsp; Hunh.&nbsp;&nbsp; &nbsp;<br />&nbsp;&nbsp;&nbsp;&nbsp; Because here is the thing.&nbsp; I used to walk around Tokyo, this noisy, chaotic, pumping, streaming metropolis, in a pretty blissed-out state.&nbsp; I liked the energy, I liked the rush, and the crowds didn't bother me that much.&nbsp; That changed when I had my child. &nbsp;<br />Now I know why. <br />&nbsp;&nbsp;&nbsp;&nbsp; I used to travel this city in a bubble.&nbsp; I bet that most Tokyo inhabitants do.&nbsp; You have to, really, to survive.&nbsp; You're pressed full-body against total strangers every morning in the train; your ears are assaulted with right-wing loudspeakers blaring hatred; you constantly, constantly, have to watch where you're going or you'll get run over by a steady stream of people, whether you're navigating the supermarket, a train station, or the wooded path by the river.&nbsp; So you develop a zone.&nbsp; A private space.&nbsp; You tune out.&nbsp; You filter.&nbsp; You just have to.&nbsp; Some people use books or video games or headphones and music to do it; others can just go to that happy place. &nbsp;<br />&nbsp;&nbsp;&nbsp;&nbsp; When you're trying to keep track of a bouncing, running, chattering, giggling, and totally-crying-her-eyes-out-because-she-wanted-chewing-gum toddler, you can't do that.&nbsp; You can't zone out.&nbsp; You can't drift.&nbsp; Oh my god.&nbsp; It's awful. <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; I have to stay engaged with my daughter to keep her safe.&nbsp; And I want to stay engaged, truthfully, because she says these hilarious and adorable things that I am biologically programmed to find enthralling.&nbsp; But oh my lord, the noise in this town!&nbsp; The trains are bad enough, but those big electronics stores that go up thirteen stories and have loudspeakers blaring at every step?&nbsp; I get homicidal.&nbsp; I want to throw a temper tantrum.&nbsp; I want to go all toddler on their asses. <br />&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; So here is my plan: clear plexiglass bubbles.&nbsp; We'll be bubble people.&nbsp; It'll be the next big thing.&nbsp; Sure, they might hamper our ability to walk, but then so do most shoes for women.&nbsp; We'll develop a nice, blissed-out waddle.<br />Good plan, right? &nbsp; ]]>
        
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<entry>
    <title>Psychics and Earthquakes</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/07/psychics-and-earthquakes.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.251</id>

    <published>2010-07-08T08:10:34Z</published>
    <updated>2010-08-10T13:14:06Z</updated>

    <summary>by Emily ConnorEvery year I hear so many...</summary>
    <author>
        <name>editer-3views</name>
        
    </author>
    
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        <![CDATA[by Emily Connor<br /><br />Every year I hear so many rumors about earthquakes in Japan. I don't mean just your little run-of-the-mill earthquakes, either-- I'm talking about the earthquake, the one that will leave Tokyo in ruins and thousands upon thousands of people dead and without anywhere to go. For the first couple of years I was in Japan, all this talk of earthquakes really had me scared. I saw information about predictions of devastating earthquakes all over the news and on the internet, and I'd be lying if I said there were nights when I couldn't sleep well because I had heard rumors that on that particular day it was predicted that the earthquake would strike and mass havoc would be upon us.<br /><br />I'm sure that this major earthquake will eventually happen and that it will, without a doubt, be disastrous. However at times I feel that the way the predicted earthquake is covered on television that it's a bit too sensationalized and causing unnecessary anxiety in a lot of Japanese people. I've seen this one Italian psychic on TV several times since moving here, and every time I see him he's talking about when he thinks the quake will happen, and about how devastating it will be. Apparently the man is a really well-renowned psychic (if it's even possible to be a well-renowned psychic...) and I can't recall his name right now, but there are times when I think it would be better to not broadcast such information on national television. I mean, the guy is a psychic, not a scientist. <br /><br />You could argue and say that television in the US constantly sensationalizes information, too, and you would be right. But I've never seen a two-hour primetime television special about some psychic who feels compelled to tell the nation about a supposedly impending natural disaster. I've seen many talk-show like programs in Japan focused only no non-scientifically based predictions about the Tokai earthquake, and I don't think it does any good for anyone. They say that ignorance is bliss, and while scientifically-based facts are completely fine by me, I find it kind of blasphemous to sensationalize psychic predictions. All it does is increase anxiety and unnecessary unease in people.<br /><br />Natural disasters are a thing of nature (obviously, judging by the word 'natural' disaster) and it's inevitable that they're going to happen. While I feel it's important for everyone to have a plan of action for if and when this huge quake occurs, I don't think it's right to use scare-like tactics to get civilians anxious and worried about a completely unset date. It's not like how people are saying the world will end on on December 21, 2012-- people are simply saying 'the next huge Tokai earthquake will occur sometime in the 21st century', and that's pretty vague. When it happens it happens, and everyone should just have their own survival plans and not listen to sensationalized psychic personalities.&nbsp; ]]>
        
    </content>
</entry>

<entry>
    <title>The Gov Office</title>
    <link rel="alternate" type="text/html" href="http://blog.jibtv.com/j-bloggers/2010/07/the-office.html" />
    <id>tag:blog.jibtv.com,2010:/j-bloggers//4.250</id>

    <published>2010-07-07T06:55:44Z</published>
    <updated>2010-07-07T08:00:23Z</updated>

    <summary>            0   false         18 pt   18...</summary>
    <author>
        <name>editer-3views</name>
        
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<!--StartFragment-->by Anna Kunnecke <br /><br />&nbsp;&nbsp;&nbsp; Last week I was at the city ward office.&nbsp; It is time to renew some of the documents that allow me to live here, and I needed to collect papers to prove that I had paid my taxes.&nbsp; This shouldn't have been hard, because I had in fact dutifully paid all my taxes and was already in possession of quite the stack of documents to prove it.&nbsp; (In duplicate.&nbsp; With official stamps on them.&nbsp; That had already been filed once with the tax office.)&nbsp; But what I required was a totally different set of papers that would prove it for the immigration bureau.&nbsp; <br />&nbsp;&nbsp;&nbsp; So I found the right section, grabbed my slip of paper from the little ticker-tape machine, and waited for the 17 people ahead of me to get served.&nbsp; Then when my number was called, I went up, handed in my filled-out form, and took another number.&nbsp; Twenty minutes later the kindly woman called me up.&nbsp; My papers were there; I could see them on the counter; but there was a problem.&nbsp; You see, it was my name.&nbsp; It was too long. <br />&nbsp;&nbsp;&nbsp; It was so long that when printed out on the fancy official city office stationary, the final three letters of my middle name, Elizabeth, were cut off.&nbsp; Perhaps, I suggested, since the last, first, and majority of my middle name were intact, it would do just as it was?&nbsp; Oh no. Perhaps they could simply do away with the middle name?&nbsp; Heavens no.&nbsp; But Japanese people usually don't even have middle names, so....&nbsp; No no no no.&nbsp; Okay, I sighed, could you just write it in Japanese instead of in romaji?&nbsp; But I already knew the answer.&nbsp; <br />&nbsp;&nbsp;&nbsp; So I went up a floor to repeat the process.&nbsp; <br />&nbsp;&nbsp;&nbsp; Another number, another ten minutes, another set of forms.&nbsp; Then I waited twenty more minutes for their big printers to spit out another official document that, yet again, named me as Kunnecke, Anna Elizab.&nbsp; I longed to simply snatch them and run.&nbsp; But since I'd like to continue living in this country, I didn't.&nbsp; <br />&nbsp;&nbsp;&nbsp; There was a lot of hemming and hawing.&nbsp; This was a big problem.&nbsp; <br />&nbsp;&nbsp;&nbsp; Ever resourceful, however, they figured out a way to fix it that would not displease the document gods.&nbsp; They took a black ballpoint pen and wrote the letters 'e' and 't' at the end of my name.&nbsp; By hand.&nbsp; They handed the papers over.&nbsp; <br />&nbsp;&nbsp;&nbsp; I looked at them for a long moment.&nbsp; <br />&nbsp;&nbsp;&nbsp; And then, in spite of all my smarter, savvier, better instincts, some obedient schoolgirl part of me felt compelled to point out that unfortunately there was still an 'h' missing.&nbsp; <br />&nbsp;&nbsp;&nbsp; WHY?!???&nbsp; <br />&nbsp;&nbsp;&nbsp; I do not know.&nbsp; I could have just written it in myself.&nbsp; <br />&nbsp;&nbsp;&nbsp; Instead, they took the papers away again and were gone for several days, weeks, and months that probably really lasted only ten minutes or so.&nbsp; Then they brought them back.&nbsp; The 'h' had been penned in.&nbsp; I was free to go.&nbsp; <br />&nbsp;&nbsp;&nbsp; So, in this quest to continue doing exactly what I have been doing, which is live here and contribute to society, I have one government office down; four more to go.&nbsp; It's going to be a long week.&nbsp; <!--EndFragment-->
 ]]>
        
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